Tag Archives: Art

The Painting That Named Itself

One of the nicest things about blogging is that you can learn little things about yourself as you go along.

I learned something yesterday, while writing Cast From The Past. It’s a post about a new painting and my sometime-struggles with the naming of such. Even as I was typing that post, a little voice was whispering, and I hope that voice knows that I was listening.

The message was very simple, “You struggle with the names because the painting is not finished.”

So through the rest of day and until about 2:00 in the morning I finished it, and as I sauntered off to bed the name came to me and I smiled . . . yes, it’s perfect, “Light Touches”.

I really like so much about yesterday’s rendition and I will be saving it, perhaps even make it available some day. However, it is this final version that I really love, though I won’t say why. Let’s just say the clue is in the title . . . think of the word touches as a verb, and that’s all I will say on the matter.

As Einstein used to say, sooner or a later a person has to think for themselves. I’m amazed at how this seems to make so many people nervous. Please don’t be one of them. Art can be a precious gift that way . . . an invitation to think for yourself, so please embrace it.

Now here is “Light Touches”.

New original art by Lawrence Grodecki

“Light Touches”

Cast From The Past

Several times I’ve mentioned how my paintings evolve. I can let them rest for years, seemingly stuck for completion.

That may imply a level of frustration, but it’s not meant that way at all. It’s much more like a self-test of patience, even confidence in a way. Before I let a picture rest for awhile I ask myself a few questions, though I have to think back hard, as it is largely intuitive as well. Essentially it comes down to whether to go on or not. When you know you may have spent 100 hours or more on painting, spread over several years, that’s not such an easy decision.

It’s true that an artist can develop a relationship with the art, with any given piece, so in a way it’s like saying goodbye for awhile, knowing (hoping?) that we will meet again . . . but when? Perhaps this too is part of the adventure of art? It seems that way.

Anyway, here is another painting that has back to town for a surprise visit! She is what I would call an enigma, as she never told me her name in the first place, and she still refuses to do so.

I’ve taken it upon myself to find her a name – let’s call it a title – and it’s not been so easy this time – so many options!

I try to be careful with naming my art, as I know a few words can affect how the viewer thinks about the painting. I also tend to get a little “punnish” in the process . . . painfully so?

Finally, I’ve added a few ideas, with no one particular favorite, and they are just under the picture, as shown here. Comments are welcome, but no suggestions please . . . this naming is something I must simply do myself . Simply . . . ha!

Abstract figurative art

My enigmatic friend without a name.

As for possible names, I’ll probably choose something entirely different in the end:

  1. Forgetting to Brush
  2. The Focus Group
  3. Primal Therapy
  4. Gasping For Hair
  5. Final Apprehensions
  6. Passed the Past

That’s the short list . . . I just hope it doesn’t take years to make up my mind!

Love Child

It seems like every summer I have this surge of minor but significant changes in style, and it seems like over the past several weeks it’s happening again. A few days ago I began playing with a rendition of my recent pictures, using it to try using some new techniques. As often happens in this process, something catches my eye and I’ll stop for a minute, thinking, “I can do something with that.”

In this case it was a little doodle I did in the bottom corner of this 8 x 10″ picture. By the wee hours of the morning “Love Child” was put to bed . . . that’s what I’m calling what came of my adventure, and here it is, just below.

I’m not sure if it will be made available soon, and if whether it will offered as an original or perhaps a limited edition print. As for other new works, you may want to check out my most recent post for more of that – Magic Instead of Perfection.

New mixed media art by Lawrence Grodecki

 

Almost a cartoon, almost a deer.

Magic Instead of Perfection

I should have written that perfect blog post by now. That’s the one that tells you a bunch about that new item up top on my menu bar. It’s called “Original Art”. That’s bound to get done soon, but for now here’s something a little related to that section.

The other day I tweeted an image of one these original paintings and someone came back with a request for a song to match the art. At first I was stumped, but in no time I found a great match.

I love when that happens, partly because like most artists, most often we’re not comfortable in writing descriptions of our paintings. However, I do find it lot more enjoyable discussing such matters one-on-one and privately . . . no idea why.

Anyway, today I’m giving you a glimpse of five of those 20 original paintings, along with five matching musical gems from YouTube. For me there’s a little magic in each of these videos, and if my art portrays any of that then I’d be more than a little pleased. You can click any of the art titles and see the painting in a new window. That way you can move back and forth if you wish, between the art and the music.

I hope you enjoy this as much as I do . . . all of it.

Skating In the Clouds

Dancevolution

Perfectly Flawed

Strumming Along

My Imaginary Fence

My Organized Orgy of Art

What an odd feeling it is . . . now that I’m organized I feel like it’s time to get some things done!

It’s taken several days now to re-organize my art files. It’s not like I’m a hoarder or anything . . . it’s just that once a work of art is begun, it needs to be saved for later finishing. It’s a necessity really – there comes a point where you just know you need to leave painting alone for awhile.  As I work very much in isolation, it was quite a relief to see that other artists do the same. Seeing how one other artist struggles with this dilemma was one of my favorite parts of watching “Gerhard Richter Painting”. In that remarkable film, on a few occasions, he (Richter) clearly demonstrates the frustration and intrigue of this aspect of creating art, and how it is so very intuitive.

Given the computer aspect of my art it is much easier to put a piece away for later . . . I simply need to save the file. The hard part comes in remembering where that file is stored!

Back in May it really hit home, how much art I have done over the past 10 years.  Before I left for Calgary in early May I did a complete hard drive backup and that’s when I noticed that my collection of art files is now over 10,000.

That may sound like a lot, and it is, but keep in mind that typically one finished painting is the last file in a series of 30 or more files, and those are just the ones kept – many more have long ago been discarded. Still, as it stands right now I have a directory called Priority Projects that has 39 paintings on the go, wanting and needing to be finished. Each of these will take a matter of a few hours to perhaps a day or two to finish. However, I know by experience that I typically underestimate that time requirement, so you can pretty much double it, whatever “it” may be!

Anyways, I’d like to end by sharing with you an example of one of these Priority Projects. The folder is named after the final piece, and in this case it is called “Something About Frida”, a tribute of sorts to Frida Kahlo . . . as this painting was almost at its current stage I somehow began thinking of her, how much the image seemed to fit with those thoughts, hence the title.

There are 41 files in this folder, in chronological sequence. I’m showing you 6 of them here, beginning with the first, which is a kind of 3D scan done on my home printer. It’s just some leaves. I don’t fuss over composition in these scans, as I purposely do them quite quickly, so as to not overthink them. In other words, I can’t say that the facial imagery and the the lips was done intentionally.

As you will see, as I play along with any given picture, things start to happen – a real art adventure – and entirely new paintings emerge on the screen. I won’t say it is addictive, but it is so very alluring. It’s simply something that I love doing. I hope you enjoy the views and feel free to drop in a comment or share this post, or both! 🙂

A picture of green leaves

A 3D scan of some leaves – 2007

A face in leaves.

A facial rearrangement . . . still playing with this one.

Head shot in leaves.

From the face I moved to the back of the head!

leaves geometrically altered.

Some geometry, plus some personal touches.

enhanced geometry

Major alterations.

New art by Lawrence Grodecki

“Something About Frida” – almost done – June 2015

 

PS – For what it’s worth, I also have a folder of “Older Projects” which has 29 paintings in it, most of which could easily be in my priority folder. Then there is another one called “Final Touch Ups” . . . another dozen or so of the same . . . oye!!!

 

Five Uneasy Pieces

This has been one of the toughest weeks that I can remember . . . an emotional roller coaster, but one with no upsides.

It’s been crippling in the sense of trying to get  anything done business-wise. I just couldn’t do it. I did manage to care for my demented mother in the usual way. There is no choice in that matter. Other than that, the only thing possible was creating more art.

I don’t understand how that works. A person couldn’t feel more uninspired than I’ve felt this week, and yet it was possible to do some pretty decent painting. It helped me to cope in a way, but I know it’s more like a pill for symptomatic relief.

I’ll leave it at that and simply show you a few examples of what came out the past few days, though as usual, most of this art is a reworking of other pieces done several years ago, so none of them are from scratch.

Have a great weekend.

Contemporary Abstract art

Mixed Media Contemporary Figurative Art

Colorful Mixed Media Fantasy Art

Contemporary Horse & Lady Sketch

Modern Abstract Portrait Art

Ready To Go

What Is Art?

What is art? Whether you are new to collecting art or a twenty-year veteran, you’ve probably thought of this question a number of times, read and researched it, listened to several experts, and so on.

It seems to be one those “lovely” words that defies a singular definition, and there’s a certain beauty in the truth of that, poetic and otherwise.

For me art is a way for ideas to breathe . . . to come to life. It often happens in unexpected ways, and at times the finest breath seem to flow effortlessly through the artist.

For me these ideas are sometimes humorous, often mysterious, almost always sensual, and usually kind and playful. That’s quite a group of five, and a handful to say the least! When you think about it, they all seem to have something to do with love, individually and blended together . . . endlessly.

I hope you keep that in mind as you view any of my art, and as you consider adding some of it to your collection . . . here are my limited edition creations.

Something Fishy About Noses

Occasionally an admirer will mention that I don’t put faces in my art. That’s almost always true, and I used to worry about that a little.

Some of those worries concerned the sensuality that fans often sense in my creations, perhaps always? When you think about it, several of us somehow get offended by that combination . . . all those heavenly curves but with no head, or a head with no facial details. There are several art teachers that would insist that what I’m doing is a no-no. I seem to have a nose for no-no’s!

I wonder whether some people see my art as disrespectful . . . the absence of the character that can be shown in a subject’s face, and so the art becomes purely erotic? Or purely sensual? This may sound a little like a bit of a hangover from some Victorian era, and I can fully empathize with that. After all, I’m quite a fan of the show “Downton Abbey”, largely because of the old-fashioned way in which the characters act. While the sexual aspect is certainly there, romance and personality is always upper-most . . . it’s more about the conscience mind than about our more primal urges and reactions.

I also wonder whether some people think that because of the lack of those faces, perhaps the artist doesn’t have the skills to draw with such detail? That’s a valid question, and again I think it relates to a lot of our traditions. I noticed this a few years ago, while breezing through a book of paintings by Rembrandt. The paintings demonstrate amazing anatomical correctness and proper portraiture, and oddly, almost always about the men. Of course the skills are there, but I’m not really struck by the characters.

The thing is, I simply have no urge to draw in this level of detail. If I did I would do so by hand on paper. When it comes to faces, for me that is much easier done on paper than on-screen, though I’m fully aware of how for some the opposite can be true and here’s an amazing example of that.

More importantly though, I strive the expression of the ideal in my art. By that I mean the expression of something beyond the individual. When you think about it, when you are really drawn to a portrait, especially the likeness of a stranger, it is that ideal which lures you, something beyond the individual . . . something powerful and emotional.

The truth is, I have a great deal of respect and admiration for those who draw in details, very realistically so, and especially when they also capture something beyond the details. In fact I have so much respect for them that I choose not to be among them. By that I mean that there are so many artists out there like that, there is simply no need for me to add to their ranks.

Snippets From The Past

When I learned to draw it was in a very traditional way . . . the basics are wonderfully simple really, and it’s amazing how quickly a person can learn. So there were fruit baskets, windows and curtains, nude models, and then there was this mounted bird. That’s when I learned not only to draw, but also that I could draw! My teacher gave me the ultimate compliment. When she saw my work, she was speechless for a moment, almost catching her breath. She gave me this warm smile and told me about a wildlife artist named Robert Bateman. When I discovered who he is by looking in another at book, I was truly flattered. However, even back then, over 30 years ago now, I remember thinking that there is simply no need for me to draw like that . . . he’s already doing it.

Perhaps it is also because of my first degree, one in psychology, where I learned about all the biases that can go along with facial impressions. While the expressions can be wonderful, our current cultural norms of beauty seem to have distorted much of that . . . thank you Madison Avenue. It’s sad really, but what can a person do? What can I do? I really don’t know . . . I just keep doing what I do!

Finally, the number one reason for me to leave out the faces is this . . . by doing so, I don’t need to worry about someone cutting out the good parts. Let’s just call it a Polish thing . . . if you watch this video you will “catch my drift”! ha ha

The Story Tellers

Some of my fondest memories are about simply telling stories. I can’t remember reading my kids a book at bedtime – that was a long time ago –  but there are several precious times where tales were told, and not just at bedtime.

There were campfire stories, for sure. However, the fondest tale happened on a day at the beach. hottest day of the year. My girls were around the ages of 10 and 12. There was just the three of us and it was the hottest day of the year. I was so worried about lasting in the scorching heat, not being able to keep up with the little ones. However, it was they who suggested finding some shade, and they led the way with their tiny folding chairs to a spot close by, under some poplar trees and very close to the water pump. As soon as they had the chairs open, they each took their plastic pail, filled it with ice cold water, parked that in front of their chairs, sat down and plunked those twenty toes and four heels into the water. You could hear the cool comfort immediately, as they looked at me sitting across from them and said, “Dad, tell us a story.” Such leaders, even back then.

So I just started the telling of it, an adventure of course, one from my youth in Dauphin, when I was about their age. You see, my friends and I found a buried treasure chest in the river, but we had no way of opening it. That’s how it started . . . the thrill of the discovery and then the frustration . . . and to this day it has never ended. I doubt that it ever will.

Other Telling Traditions – The Elder Ones

Several years later, while writing my novel, I did a little research on gypsies. There was this fascinating account about the Romanian gypsies, of their various story telling traditions. By memory, it was the men who told shorter, funnier tales. The women told more epic ones, full of drama, tragedy, adventure and so on. It was nothing to spend two hours in an evening in the telling and the listening, much like we now watch a movie I suppose.

I’ve done other research that talked of a similar tradition, and that was in the mid-east . . . ancient Iran or Iraq, or maybe both? I’m sure you can find all kinds of material online if you want to know more on the subject. Apparently they used the inside of their large tents to put these stories into pictures. This was thousands of years ago, and I believe the material was vellum, not canvas.

In our busy lives we so easily forget how short a time the printing press has been around, but story telling seems to be almost as old as language, with or without the written word. It must have been quite something, both the telling of it and the art of it, on a cold desert night, or during a sand storm.

I’m sure that over time the stories changed – never quite the same way twice – and legends emerged. No doubt having the pictures handy would help the evolutionary process; as images are interpreted differently, new twists come to mind, and the telling becomes as intriguing as the listening.

Modern Story Telling – A Sponsored Tradition

I sometimes wonder if there is a lot more to the true history of those ancient times, and whether it was recorded in those tents . . . among all that art. I wonder about that when I think back to that first attack on Iraq, that night bombing that we got to watch live on TV . . . part of “Operation Desert Storm”. I remember watching CNN that January in 1991, surprised to hear that the first targets were museums . . . how odd. A few weeks ago I heard a little clip about some terrorists damaging museums, somewhere in the same region. In the context of what happened back in 1991, it seemed so hypocritical to hear the TV person trying to describe this act as something barbaric.

Something else that seems so strange is that despite all our talk of freedom of speech – the importance of freedom of the press – the broadcast rights of that first bombing of Baghdad was given exclusively to CNN – modern day story telling? I’ll just leave it at that. Besides, I don’t do political blogging. I don’t do religion either, but I do wonder why there is no original art to go with all those ancient words . . . so very, very odd.

But enough of all that. Who needs more controversy right?

In my art I do like to pay homage to the finer aspects of humanity, and this new painting follows that personal tradition. It is simply called, “The Story Tellers”. I hope it says something about each of us, at least once in awhile, and that your stories are good ones, and the telling of them precious, at times.

It’s time to go now . . . my mind keeps drifting back to those tiny toes in the little buckets . . . where was I now?

Painting - The Story Tellers

The Story Tellers – Fine Art Paper (Edition of 75 Prints)

Image size: 18″ h x 24″ w (46 x 61 cm). Price: $295 USD + $30 shipping.

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The Story Tellers – Canvas (Edition of 30 Prints)

Image size: 24″ h x 32″ w (61 x 81 cm). Price: $450 USD + $30 shipping.

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It Began With Some Melting

While I have a few hundred original pieces of art under my belt,  I can’t explain where any of them begins, or ends for that matter.

The masters have often said that a painting never ends that is so true, especially with the way I do mine . . . the style and the technique of it. Because it’s done on-screen it is very easy to take a finished piece from yesterday (or from a decade ago) and play with it, re-mold it in a way, and come up with something entirely different. It’s quite remarkable really . . . always a creative adventure.

However, there is the seldom-talked-about issue of where a picture begins – the other side of “never ending”. My creations are often a collaboration of what already exists, such as an orange, followed by the re-shaping of that object. For example, I’ll take that orange, peel it, keep that white pulp at the top, strip it down into wedges, break a few wedges, squeeze a little juice, and then arrange it on a scanner and load the image into my computer.

The whole process is largely intuitive, and by experimenting with some innovative scanning techniques, I often get a remarkable 3D effect in the scanned image. After that the real fun begins, as different images appear within that image – small and large ones – and several in any given scanned image of anything. I draw and re-draw what I see, over and over, often 4 – 10 hours at a time, and after several such sessions what is left is completely dissociated from that orange.

Allah’s in Wonderland

The truth is though, without that orange the art wouldn’t exist, and the same goes for all those pieces that involve real leaves, and so on. So back to the beginning issue, where did the leaves or the orange begin? I hope you read that as a rhetorical question. I hope even more that you can appreciate how it’s validity . . . it does tie in beautifully with the theme of how everything in nature blends . . . perhaps something universally true, but not necessarily in the physical sense?

So enough of that . . . now for a few words on my latest creation. This piece is actually what I’ll call a 4th generation piece – it is preceded by 3 other very unique creations. The first piece did not involve anything organic like an orange or a leaf. It began with the scan of an intimate gift, let’s just refer to it as a piece of cloth.  Because of this intimacy, I won’t tell you more, but here is a look at the second generation of the art that came from this gift:

Digital art by Lawrence Grodecki

Eventually this picture became today’s new introduction. I have several variations of this new painting . Each is wonderfully playful & poetic, but I’m only showing one today. I think the name fits perfectly.

Introducing “The Ice Breakers”

So without further delay, here it is, “The Ice Breakers”.  You can click the image to go to the detailed page for a larger view, as well as order options and details . . . enjoy the picture, feel free to let your mind wonder, and relax, or not?

The Ice Breakers - fine art

The Ice Breakers – Limited Edition Creation by Lawrence Grodecki