Category Archives: Art Sale

What Is Art?

What is art? Whether you are new to collecting art or a twenty-year veteran, you’ve probably thought of this question a number of times, read and researched it, listened to several experts, and so on.

It seems to be one those “lovely” words that defies a singular definition, and there’s a certain beauty in the truth of that, poetic and otherwise.

For me art is a way for ideas to breathe . . . to come to life. It often happens in unexpected ways, and at times the finest breath seem to flow effortlessly through the artist.

For me these ideas are sometimes humorous, often mysterious, almost always sensual, and usually kind and playful. That’s quite a group of five, and a handful to say the least! When you think about it, they all seem to have something to do with love, individually and blended together . . . endlessly.

I hope you keep that in mind as you view any of my art, and as you consider adding some of it to your collection . . . here are my limited edition creations.


Into The Light

Early in my art adventure, while learning how to do it on screen, I tried a lot of new things. At least they were new to me. Here’s a little story about one 10-year old journey.

One in particular involved scanning sheets of aluminum. First I’d use felt pens to draw on a sheet of foil – more like doodle – and then see how it looked on screen. The bright colors and shine from the foil effect pulled me right in. At the same time I’d learn by doing, such as stretching, twisting, warping my hand-drawn doodles. Here’s how one of those old projects came out eventually, to the point where it was something worth keeping . . . “Into The Light”:

Into The Light - Art by Lawrence Grodecki

Into The Light – 2005

Since this original I have over 70 renditions of this picture, but have never come close to finishing it. I still have all those renditions, and here is the most recent. However, you can’t really see the progress, as it really is in the tiny details. Here’s how the 72nd version looks, as of today:

Current version of a painting

Into The Light – Current Rendition

You probably don’t see much of a difference. However, as I mentioned, there are differences in the details. Here’s a close up comparison to give you a better idea . . . it’s of a small section near the top and center of the bigger picture:

Before and After of Into the Light


In this original close-up you can see what appears to be a reddish-brown image of a lady’s head. As often happens with my art, a small part of one picture begets another, so it is very much like a family, and so far this particular parent has at least three children . . . grandchildren remain a dream!

Again, show and tell is the better teacher, so here’s an example of what I did to that young lady’s head . . . this picture was born around 2011:

"Who Knows?" - daughter of "Into The Light"

“Who Knows?” – daughter of “Into The Light”

I named this picture “Who Knows?” based on the truth that I was seven renditions in before I realized that she doesn’t have a nose . . . I was really tempted to leave it at that!

Luckily I poked my nose into her nose, and I’m sure glad I did! With a little magical light surgery, her transformation is now complete. You can see her just below, in my newest release – “Some Once”.

Clicking the image will take you to the details about “Some Once” – now available in a limited edition.

Some Once - art by Lawrence Grodecki

Some Once – Limited Edition of 30 Canvas prints

Finally, as much as I would have loved to get more into some of the mystery about light, it’s simply too much for the post. Besides, I think it also has something to do with Love, so where would one begin and then end? I think you get the picture?



Skirting Issues – So Touchy!

Have you ever heard of embellished art? I’ve had a few people suggest that I consider doing that. What it would mean is taking a finished print and adding some ink of paint by hand, making it truly unique from any other print.

It seems to be increasingly popular these days. However, I’m not fond of the idea for a few reasons. First, if I’m going to offer some of my art as original art, and by that I mean a one-of-a-kind painting, then it will be just that – one print, unique, signed “one-of-one” – no need to embellish it.

Second, I wonder if embellishing causes confusion or concern among collectors . . . any thoughts?

Embellished Limited Edition Prints

The one place where the notion does intrigue me is limited edition prints, but only in small runs – editions of 10 or 15 as opposed to 50 or 100.

It’s easiest to show this by example. Shown below is a series of pictures, all based on an original piece that I have yet to make publicly available. It’s called “Skirting Issues” and here is what that original looks like:

New Art - Skirting Issues

Skirting Issues – Final Version soon to be released

This may look rather simple – and I hope it does – but it took about two dozen renditions to get here. As much as I like this piece, I have a personal preference for more definition. While some of that is in some curves, for me there isn’t enough. Also, part of the nature of my art is to be drawing and painting at the same time. It’s a back and forth process, and not always does the drawing come first.

I tell you that because next I want to show you what the underlying sketch might have looked like, if I had gone the traditional route of sketching first . . . here it is:

Sketch of a new painting

The Issue of the Sketch

So how does this tie into limited editions and embellishments? Well let me continue, and tell you what I’ve done with these two images. The sketch was created so that I could apply to the original painting and add that definition I want.

While my on-screen tools give me plenty of ease in doing this, it’s a very personal process in creating the final look. Often there can be several amazing embellished renditions, making it difficult to “choose one”. But I do. I save the set but select one to publish.

However, in a small edition run of 10, I could quite easily embellish each one, make each one truly unique. To give you a taste for what I mean, I’m showing five renditions below . . . I’m pretty sure you will see what I mean.

Finally, I do believe this is embellishing by hand . . . it just doesn’t require a brush or pen. The oddest thing is that I’m much more comfortable with my on-screen embellishing than with the pen or brush idea. Perhaps it is because it is true to the original process? I think so, and though I don’t let on how personal this is, for me it’s a matter of artistic integrity? Put another way, embellishing on-screen does feel like it comes from the heart. Using a pen or brush on a print would just seem so much more mechanical . . . how’s that for irony?

Now here are 5 ways of “Skirting Issues”:

One of five renditions of a painting

Skirting Issues – one way

Second of five renditions of a new painting

The darker side of “Skirting Issues”.

Third of five renditions of a new painting

The Issue of Purple . . . and simplicity?

Fourth of Five renditions of a new painting.

More color, more contrast . . . same Issues?

Fifth of five renditions of Skirting the Issues

The color of the year . . . perhaps the real “Skirting Issue”?



A picture called Learning To Dance

You Look Like You’re Looking For $50!

I’ve spent the past 3 days revamping my web site on Fine Art America.

The galleries have been completely refreshed, much better now . . . you’ll see what I mean if you visit the site. Also, I’ve taken off the smaller print options and added a few larger ones. Each creation is now available in six different image sizes – there used to eight or nine. I’ve also fiddled with the pricing, but nothing major though. In the process, it finally occurred to me how to have a little fun with this holiday craziness, beginning with Cyber Monday.

As of today I’ve dropped my price by $50 on select pictures and sizes.

Here’s the fun part though . . . the savings will only last until Saturday, December 6th. By Sunday morning I will have taken off these savings, at least most of them –  I have no idea which ones will remain! Then for the following week  I’ll do something similar.

Currently this selection includes twelve of my creations as shown in the list below. These are all from my gallery called “Fan Favorites”. If you click on any of the picture titles, you will be taken to that picture on my site (in a new window).

I’ll be letting people know about this offer on Twitter and elsewhere throughout the week, and I do consider this to be one of the few ways to thank you all for tolerating my ramblings, and especially my quirky sense of humor.

Now here is the list, by title and then the size where you will find the $50 savings.

Enjoy the view, and please do me a nice favor and share the news, either through this blog post, or on my art site, or both. I know how easy it is to forget to do that, so please don’t find me rude for asking . . . there are much better reasons for that foundation! ha ha

  1. Commonality – 20″ w x 16″ h    (50.8 cm w x 40.6 cm h)
  2. In the Right Place – 24″ w x 24″ h    (61 cm w x 61 cm h)
  3. Learning To Dance – 24″ w x 18″ h    (61 cm w x 45.7 cm h)
  4. Leaves in Elegance – 20″ w x 16″ h    (50.8 cm w x 40.6 cm h)
  5. Forever Dancing – 20″ w x 16″ h    (50.8 cm w x 40.6 cm h)
  6. Missing You – 16″ w x 20″ h    (40.6 cm w x 50.8 cm h)
  7. Promises – 16″ w x 20″ h    (40.6 cm w x 50.8 cm h)
  8. Shyness Revealed – 21 5/8″ w x 24″ h    (54.9 cm w x 61 cm h)
  9. Sunset on the Beach – 18″ w x 24″ h    (45.7 cm w x 61 cm h)
  10. The Other Way – 20″ w x 16″ h    (50.8 cm w x 40.6 cm h)
  11. Touched – 18″ w x 24″ h    (45.7 cm w x 61 cm h)
  12. Angels Calling – 36″ w x 25 3/4″ h    (91.4 cm w x 65.4 cm h)

Important note: For safe Christmas delivery the order deadline is midnight, Dec. 15th. Also, all orders have a 30-day money-back guarantee.