Perhaps the oddest thing about art is that a lot of people seem more interested in the person doing it than in the art itself. That always makes me think that there must be something wrong with my art!
It’s even stranger that I’ve become the same way in many cases, “Who is this person behind this painting or song or sculpture?” So maybe I shouldn’t be surprised about getting what feels like a lot of personal attention from some very dear fans . . . still, it’s a little unnerving putting one’s self out there . . . often it feels downright narcissistic, but mostly it feels undeserving.
To make matters worse, it seems the blog posts people enjoy most are the ones that include my little blasts from the past . . . those personal little stories.
Time to get out the birthday suit!
So tomorrow is my birthday – 58 and painting like I’m thirty-something – and I wonder if there will be any surprises? I couldn’t get to sleep last night because I was drifting back to so many milestones, in particular this time of the year but 39 years ago. I was the same age then that my youngest daughter is now. She is finishing her university life this term, while I was just beginning mine back then.
That started in Vancouver, at Simon Fraser University . . . it’s on top of Burnaby Mountain, to be more precise. It was a newer school, renown for it’s architecture, designed by Arthur Erickson. It wasn’t a huge university back then – a recluse for the fans of the liberal arts – the smart, driven folks went to the much more conservative University of British Columbia (UBC). That was a long time ago though – I’m sure much has changed since then.
I went there for one main reason. In my youth I was always fascinated by the movies and in 1979 Simon Fraser was the only school in western Canada that any kind of film studies program . . . and a minor at that . . . I majored in psychology.
Yes, I did take one psych course – intro psych – plus a course in intro botany or biology, which I never took in high school, so I damn near failed that one, though I loved all the line art and photography in the text book. There was another intro course that I simply cannot remember and then there was this double course, a six-credit doozer called “History of Italian Renaissance Art”.
Apparently that art course had something to do with the film studies program, though I have no idea what that may have been. What was more apparent was that the man who taught really knew his stuff. Through the term I found out that he was one of the world’s leading experts on the subject, and he had the passion to go with the reputation.
He had all his own slides and we would spend hour after hour in a theater looking at every square inch of the ceiling of the Sistine Chapel in great detail, while he told us all kinds of stories. In hindsight though, I think we really only grazed the surface on the lives of Michelangelo, Leonardo, Botticelli, and so many more.
Then there was the smaller, once-a-week workshops on more specialized topics . . . I chose the literature one. It was all about some dude named Dante, and myself and about a dozen other became intimate with The Divine Comedy and La Vita Nuova. What I remember most is how Robin (the first name of the professor), would explain who each character was in real life . . . the ones portrayed in one part of Dante’s Inferno.
They represented various merchants, bankers, clergy, and other people in some form of “leadership”. It was all very awful, yet fascinating at the same time. As was Dante’s quest to write about the notion of pure love in La Vita Nuova.
What has stuck with the most over all these years is that the art of that time was very much intermixed with the developments in science and technology . . . the introduction of perspective by Leonardo, for example. This has helped me on a personal level, as I’ve struggled through the years of, “but is it art?”, in terms of being a digital painter.
In the past couple of years that has finally changed – digital art is becoming more mainstream, or at least finally “accepted”. Yet I’m still uncomfortable with that. Frankly I’d like to drop the reference to “digital” altogether and just focus on the art as being simply art.
I don’t see that happening in the foreseeable future any more than I can say that I can just paint and keep my personal stories just that . . . personal, as in “private”. Then again, I suppose I could just write another novel about love and continue to hide a few anecdotes in there? It has not all been a divine comedy, but then is anything funny without a little tragedy?
Anyway, there’s no sense getting too philosophical the day before one’s birthday. Now I’ll sit back and wait for those precious well wishes . . . and the magical surprise of some glorious birthday cheesecake?
Finally, here’s a wonderful clip of a nearby park. It’s the place for where I first got to see a bison eye-to-eye, at the age of nine. We were only about ten feet away, and the gazing was only for a few seconds, but I can still remember it so very clearly. This park is about a 10 minute drive from the town where I grew up (Dauphin) and an hour’s drive from where I’m sitting right now (Brandon). It’s beautiful there. I don’t know that it has influenced my art in any way, but one can always hope.