Digital art by Lawrence Grodecki

Humming At Pie

This unfinished piece is one of my earliest on-screen creations. It’s about 10 years old now. I’m showing it here and now for a couple of reasons.

First, lately I’ve been asked more questions about my art in terms of meaning and such. Frankly it is much easier for me to talk about that in the bigger picture context rather than in any one piece. However, that can be a bit like opening Pandora’s Box, even though it really revolves around a simple truth, “There are no lines in nature.”

By the way, this painting up top is simply called “Hmmm”.

It is meant to be a playful statement – more like a question – and it is about nature. It’s also about science. The scientific method came about as a different way of observing nature. As it can all get quite complicated, it can also be easily forgotten that the essence of the activity is really that simple. Perhaps the thing that disturbs me the most is that it can easily be forgotten that it is only one way to observe nature. The only thing more disturbing is when someone claims that it is the ultimate or superior or “only true way” to make these observations.

On the more positive, playful side of things, “Hmmm” represents a lot of fun I had in wondering how nature observes us, doing all our science, as represented by the pie chart. Thanks for stopping by.

In The Loop

I’ve always liked the look of Mobius curves. However, I’ve never understood the math that tries to explain it . . . those infinite loops. They do remind me of what the poets, romantics and dreamers talk about . . . eternal love or endless love. Are those terms one and the same? The question becomes somewhat perplexing if you equate eternal with divine.

I’m a stickler with the definition of words, and that annoys the hell out of some people when I stop and ask about what this or that one means. I don’t do it to be a jerk or a smart-ass. I do it because if the discussion is worth having then maybe we need to slow down and look what is behind the words we throw out so quickly.

Language is very odd that way – in many ways – quite fascinating really. Any given word needs another word or series of words to have meaning . . . another form of infinite looping? It seems so.

Maybe that’s why I like visual art so much, no need for words to understand? I hope this painting comes across that way. It’s called, “In the Loop” and it is one of those that can be viewed in at least two orientations, and in this case, since it was created with both in mind, shown either way is fine by me.

Original art by Lawrence Grodecki

“In The Loop”

Mixed Media abstract figurative art by Lawrence Grodecki

In the Loop

The Painting That Named Itself

One of the nicest things about blogging is that you can learn little things about yourself as you go along.

I learned something yesterday, while writing Cast From The Past. It’s a post about a new painting and my sometime-struggles with the naming of such. Even as I was typing that post, a little voice was whispering, and I hope that voice knows that I was listening.

The message was very simple, “You struggle with the names because the painting is not finished.”

So through the rest of day and until about 2:00 in the morning I finished it, and as I sauntered off to bed the name came to me and I smiled . . . yes, it’s perfect, “Light Touches”.

I really like so much about yesterday’s rendition and I will be saving it, perhaps even make it available some day. However, it is this final version that I really love, though I won’t say why. Let’s just say the clue is in the title . . . think of the word touches as a verb, and that’s all I will say on the matter.

As Einstein used to say, sooner or a later a person has to think for themselves. I’m amazed at how this seems to make so many people nervous. Please don’t be one of them. Art can be a precious gift that way . . . an invitation to think for yourself, so please embrace it.

Now here is “Light Touches”.

New original art by Lawrence Grodecki

“Light Touches”

Cast From The Past

Several times I’ve mentioned how my paintings evolve. I can let them rest for years, seemingly stuck for completion.

That may imply a level of frustration, but it’s not meant that way at all. It’s much more like a self-test of patience, even confidence in a way. Before I let a picture rest for awhile I ask myself a few questions, though I have to think back hard, as it is largely intuitive as well. Essentially it comes down to whether to go on or not. When you know you may have spent 100 hours or more on painting, spread over several years, that’s not such an easy decision.

It’s true that an artist can develop a relationship with the art, with any given piece, so in a way it’s like saying goodbye for awhile, knowing (hoping?) that we will meet again . . . but when? Perhaps this too is part of the adventure of art? It seems that way.

Anyway, here is another painting that has back to town for a surprise visit! She is what I would call an enigma, as she never told me her name in the first place, and she still refuses to do so.

I’ve taken it upon myself to find her a name – let’s call it a title – and it’s not been so easy this time – so many options!

I try to be careful with naming my art, as I know a few words can affect how the viewer thinks about the painting. I also tend to get a little “punnish” in the process . . . painfully so?

Finally, I’ve added a few ideas, with no one particular favorite, and they are just under the picture, as shown here. Comments are welcome, but no suggestions please . . . this naming is something I must simply do myself . Simply . . . ha!

Abstract figurative art

My enigmatic friend without a name.

As for possible names, I’ll probably choose something entirely different in the end:

  1. Forgetting to Brush
  2. The Focus Group
  3. Primal Therapy
  4. Gasping For Hair
  5. Final Apprehensions
  6. Passed the Past

That’s the short list . . . I just hope it doesn’t take years to make up my mind!

Love Child

It seems like every summer I have this surge of minor but significant changes in style, and it seems like over the past several weeks it’s happening again. A few days ago I began playing with a rendition of my recent pictures, using it to try using some new techniques. As often happens in this process, something catches my eye and I’ll stop for a minute, thinking, “I can do something with that.”

In this case it was a little doodle I did in the bottom corner of this 8 x 10″ picture. By the wee hours of the morning “Love Child” was put to bed . . . that’s what I’m calling what came of my adventure, and here it is, just below.

I’m not sure if it will be made available soon, and if whether it will offered as an original or perhaps a limited edition print. As for other new works, you may want to check out my most recent post for more of that – Magic Instead of Perfection.

New mixed media art by Lawrence Grodecki


Almost a cartoon, almost a deer.

Magic Instead of Perfection

I should have written that perfect blog post by now. That’s the one that tells you a bunch about that new item up top on my menu bar. It’s called “Original Art”. That’s bound to get done soon, but for now here’s something a little related to that section.

The other day I tweeted an image of one these original paintings and someone came back with a request for a song to match the art. At first I was stumped, but in no time I found a great match.

I love when that happens, partly because like most artists, most often we’re not comfortable in writing descriptions of our paintings. However, I do find it lot more enjoyable discussing such matters one-on-one and privately . . . no idea why.

Anyway, today I’m giving you a glimpse of five of those 20 original paintings, along with five matching musical gems from YouTube. For me there’s a little magic in each of these videos, and if my art portrays any of that then I’d be more than a little pleased. You can click any of the art titles and see the painting in a new window. That way you can move back and forth if you wish, between the art and the music.

I hope you enjoy this as much as I do . . . all of it.

Skating In the Clouds


Perfectly Flawed

Strumming Along

My Imaginary Fence

My Organized Orgy of Art

What an odd feeling it is . . . now that I’m organized I feel like it’s time to get some things done!

It’s taken several days now to re-organize my art files. It’s not like I’m a hoarder or anything . . . it’s just that once a work of art is begun, it needs to be saved for later finishing. It’s a necessity really – there comes a point where you just know you need to leave painting alone for awhile.  As I work very much in isolation, it was quite a relief to see that other artists do the same. Seeing how one other artist struggles with this dilemma was one of my favorite parts of watching “Gerhard Richter Painting”. In that remarkable film, on a few occasions, he (Richter) clearly demonstrates the frustration and intrigue of this aspect of creating art, and how it is so very intuitive.

Given the computer aspect of my art it is much easier to put a piece away for later . . . I simply need to save the file. The hard part comes in remembering where that file is stored!

Back in May it really hit home, how much art I have done over the past 10 years.  Before I left for Calgary in early May I did a complete hard drive backup and that’s when I noticed that my collection of art files is now over 10,000.

That may sound like a lot, and it is, but keep in mind that typically one finished painting is the last file in a series of 30 or more files, and those are just the ones kept – many more have long ago been discarded. Still, as it stands right now I have a directory called Priority Projects that has 39 paintings on the go, wanting and needing to be finished. Each of these will take a matter of a few hours to perhaps a day or two to finish. However, I know by experience that I typically underestimate that time requirement, so you can pretty much double it, whatever “it” may be!

Anyways, I’d like to end by sharing with you an example of one of these Priority Projects. The folder is named after the final piece, and in this case it is called “Something About Frida”, a tribute of sorts to Frida Kahlo . . . as this painting was almost at its current stage I somehow began thinking of her, how much the image seemed to fit with those thoughts, hence the title.

There are 41 files in this folder, in chronological sequence. I’m showing you 6 of them here, beginning with the first, which is a kind of 3D scan done on my home printer. It’s just some leaves. I don’t fuss over composition in these scans, as I purposely do them quite quickly, so as to not overthink them. In other words, I can’t say that the facial imagery and the the lips was done intentionally.

As you will see, as I play along with any given picture, things start to happen – a real art adventure – and entirely new paintings emerge on the screen. I won’t say it is addictive, but it is so very alluring. It’s simply something that I love doing. I hope you enjoy the views and feel free to drop in a comment or share this post, or both! :)

A picture of green leaves

A 3D scan of some leaves – 2007

A face in leaves.

A facial rearrangement . . . still playing with this one.

Head shot in leaves.

From the face I moved to the back of the head!

leaves geometrically altered.

Some geometry, plus some personal touches.

enhanced geometry

Major alterations.

New art by Lawrence Grodecki

“Something About Frida” – almost done – June 2015


PS – For what it’s worth, I also have a folder of “Older Projects” which has 29 paintings in it, most of which could easily be in my priority folder. Then there is another one called “Final Touch Ups” . . . another dozen or so of the same . . . oye!!!