This past Sunday I did something I haven’t done in a long time; I took out a sketch pad and a gel pen and doodled for a few hours. It was refreshing, especially in the sense that I got to use my left hand for a change. Yes, I’m a southpaw, except for one major activity – the computer-design aspect of my art.
Here’s the sketch and what came of it:
The original is about 9 x 7 inches; while the images shown are 10 x 8 inches. One nice surprise is that in the scanning the texture of the paper really came through. I don’t have a high quality scanner, and the paper and pens are used are far from the best quality. The result is the bluish tinge that brings out that “watercolor paper” texture in the background. You can see that clearly at actual size.
One thing that I’d almost forgotten is how much faster it is to draw on paper, at least for me. The paper sketch took maybe three hours at the most . . . I call it doodling because when I do this kind of thing I’m trying not to think as I draw.
I wanted to start in the middle, and the first stroke of ink is the smallest curve almost in the middle of the picture. After that I just “worked around” that first curve. I have no idea what the second or the last curves were! At this stage of a project I’ve become pretty good at catching myself in time . . . the over-thinking . . . and that’s when I’ll stop for a short while. It doesn’t take long to know when to begin again.
By contrast, the on-screen rendition on the right took much longer to complete. The version I’m showing above actually took about 12 hours, more or less . . . probably more. This process also entails more thinking, but to be honest, one can easily get lost in the doing of it, much as in the paper sketch . . . the same but different! :-)
More of the “but different”
Finally, while I like the sketches, typically I can’t wait to add some color . . . and so the adventure continues.
I’m showing you the result in the final art, below. When it was done I stepped back, looking at differently than I do while engaged in the creation of it. That’s a nice phase of most of my art . . . almost like seeing it as an outsider would? ha ha
Anyways, that’s when I noticed the cloudy kind of aspect. That immediately reminded me of Joni Mitchell’s iconic art for the album “So Far”, partly because of a similarity in style, but also because of her rendition of “Both Sides Now”. Since taking up my art full-time, I’ve spent a lot of time enjoying the clouds. And as much as I love the song, I’m always puzzled by the notion of “both sides” . . . I can’t even begin to imagine how many sides there are to clouds . . . certainly too many to count, and more than two.
Still, in the end – in coming up with a title for this work of art, I’ve decided on, “More Sides Now”. I think I’ve said enough now . . . time to hear what you think . . . care to comment?